Tag Archives: Author

Goodreads

In my latest move to further build up my social online presence I’ve moved onto goodreads.com. You can find my new profile here. It’s also installed permanently on the righthand sidebar via the  icon.

Those of you who use goodreads, link to my profile and friend me. If you read and haven’t signed up for it, you might want to. Basically it’s Facebook for books. You can easily find rate and review books and then share them with your friends. I posted up about 50 book reviews (mined from this blog) and rated another 70+. Of course I’ve read over 10,000 novels so I’m not about to go back and do them all, but I’ll add them as I see them.

As an author, Goodreads is supposedly a great place to market your books, which is my nefarious ulterior motive in joining yet another social network. Muhaha!

For my book reviews, click here.

For my posts on writing, click here.

Follow The Money

Any business is about the flow of money. This is a keystone for understanding them. Dean Wesley Smith, one of self-publishing’s very vocal bloggers has an excellent article on the subject of the differing flow of money in both the traditional and self-published worlds:

But so many of the discussions about indie publishing vs traditional publishing don’t take into account a very important, and sometimes critical aspect of money for a freelance fiction writer. And that’s timing of the cash flow. In other words: How Much? And When?

And trust me, this is complex and will seem odd to many, especially newer writers. But I will do my best to be clear and let you each decide on the path that is right for each of your books. And when you do decide on a path, you might understand the cash flow of that path.

…

–-Both traditional and indie publishing have time lags in the money.Indie publishing, given the same quality book, the same level of cover, is a much shorter time lag. And with indie publishing stores reporting in so many different ways, it takes some work to see how many books in a certain time period a book actually sold.

For example, if an author had a book up and wanted to see how many copies the book sold in January, the author might have to wait until June to get some of those exact numbers.

However, discovering sales is far worse in traditional publishing. There the author is lucky to be able to figure out royalty statements for how many books sold and were held as reserves against return in a six-month period a year after publication. And that’s if the author can get the agent to send the royalty statements.

At least with indie publishing, with a little patience, an indie author can find out how many books sold exactly in any given month.

The full original post can be found HERE.

For more of my posts on writing, click here.

Lessons from a Lifetime of Writing

Title: Lessons from a Lifetime of Writing: A Novelist Looks at His Craft

Author: David Morrell

Genre: Writing Guide

Length: 240 pages

Read: May 21-22, 2011

Summary: Very good.

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Having just finished the first draft of my second novel I did what I always do after a draft: take a little time to consider my craft (and not look at the book). So I pulled this puppy off my stack of books on writing. I’ve read a lot of such books, and this is one of the better ones in it’s category.

They fall into a number of broad groups: books on specific components like plot or character, books on sentences, books on editing, books on selling your books, books on summarizing your books, windy pontifications on the nature of creativity, and this type, the bit of everything, with a dose of personal experience thrown in. Lessons is a lot like Lawrence Block‘s Telling Lies for Fun & Profit. Both cover a bunch of the big areas quickly like plot and structure, and also include the author’s personal perspective on his career (Morrell’s best known for First Blood, on which the first Rambo was based) and the writing business. It does not focus heavily on sentences or editing.

There were a number of interesting insights. He has a technique for getting past sticky points in your story construction I might try (next time it happens). There were also some interesting technical thoughts on the structure of scenes and chapters. He has a perspective on selecting POV that I hadn’t come across, which was interesting. Although he is slightly dated in his opinion of first person stating that he feels it always needs a reason why the narrator is telling the story. This used to be the case, but in the last few years the rise of first person (particularly in YA) was sort of negated this.

A good chunk of the book is about his career, optioning books to Hollywood etc. This was amusing as well. He started in the early 1970s so he’s a product of that different era in publishing. The book was written in 2002 and while none of the writing advice is dated, the advent of ebooks and changes in the market are shifting the business side. Still, good writing is still good writing, and even writing style itself doesn’t change all that fast. Books I’ve read by authors whose prime was the 1950s still have plenty to offer. Last weekend I read The Postman Always Rings Twice, published in 1934, and that hardly seems dated.

So if you like books on writing and plan to read many, I’d check Lessons out. While that doesn’t sound like spectacular praise, I do like this book. Many writing books I read are total drivel. This one was worth the time, and that says something.

Some of my favorites are:

The Darkening Dream

Since I’m always cryptically referring to my novel in progress, I figured I’d post a few words about it.

The Darkening Dream is a historial dark fantasy. It’s currently 95,000 words and I’ve just finishing up the line editing and polish. [ Updated 3/16/11 ] I’m looking for a literary agent to help me start slogging through the process of publishing.

ANY CHARACTER HERE

As to the thing that matters — the story [ Updated 3/25/11 ]:

An ominous vision and the discovery of a gruesome corpse lead Sarah and her friends into a terrifying encounter with a fledgling vampire. Eager to prove themselves, the young heroes set out to track the evil to its source, never guessing that they will take on a conspiracy involving not only a 900-year vampire, but also a demon-loving Puritan warlock, disgruntled Egyptian gods, and an immortal sorcerer, all on a quest to recover the holy trumpet of the Archangel Gabriel. Relying on the wisdom of a Greek vampire hunter, Sarah’s rabbi father, and her own disturbing visions, Sarah must fight a millennia-old battle between unspeakable forces, where the ultimate prize might be Sarah herself.

To read about my second novel (in progress), click here.

Or here for the index of all my Creative Writing posts.

Book Review: Switched

Title: Switched

Author: Amanda Hocking

Genre: Paranormal Romance

Read: Jan 2, 2010

Summary: Easy read, but needs editing badly.

 

I’ve been doing research on publishing for the last year. I’ll have to write a separate post about the changing nature of the biz, it’s relationship to other publishing businesses (like video games), and the rise of the self published ebook author. But in any case, I stumbled upon this independent and self published author who is selling very well (mostly on Amazon) with no prior print history. I figured I’d check one out. Switched appears to be her best seller and she says on her blog that it’s her favorite.

This is a funny little paranormal romance about a girl whose mother hates her and thinks she’s a changeling — but she is. In fact she’s a troll. She’s then dragged off to her real mother. The first 25% is slightly “high school novel,” and the later 75% “fish out of water.”

Overall, I’m not sure what to make of the book. The first person voice was strangely engaging and I pounded through it easy in an afternoon. Still, it felt like a first (or maybe second draft), and it’s full of flaws.

According to her website the author has roughly ten novels, mostly written in 2010 and she pounds out the first drafts 2-4 weeks! I consider myself fast at 2,500-4,000 words a day of first draft, but I have to admire that kind of lightning pace. The book was short. Maybe 50-60k words and it could perhaps be classified as “engaging” but could’ve been “really fun read” with some real editing.

There is a crazy amount of “tell,” in this book. A lot of it buried in the overzealous volume of interior monologue. Characters are constantly attributed characteristics directly, without them being shown. Often, these characteristics are never shown. The protagonist gives the straight dope on things as she sees it, but this often feels more like how the author wants the reader to see it than how it really is. In fact, there isn’t a whole lot of “show” in the book at all.

The author is a solid writer. The sentences themselves are well formed, but a lot of them needed to come out, or be trimmed down. Conversations are redundant. Dialog points are redundant. The author loves the words creepy and foxy. Really loves creepy. The important scenes feel drained of emotion as the excessive interior monologue and somewhat forced dialog rob the moments of any real drama. The more casual conversations feel better than the important ones. When there’s action it’s awkwardly blocked, so that you have to go back and reread lines sometimes to figure out what happened physically. The overall plot is pretty straightforward. The end was abrupt and unsatisfying too.

But still. I can’t say it didn’t have a certain charm. I enjoyed reading it, more than many published POCs (like for instance Personal Demons). The fantasy concept is decent and didn’t bug me.

Of course the novel only cost 99 cents! The writing is probably on par with Twilight (see my review HERE). Not that that’s high praise. It just needs a lot of revision. Some plot changes to increase drama, character tune-ups, and most of all line editing (see my detailed post on that HERE).

This is an Indy book. It’s professional, but it’s also the novel equivalent of a B movie. Written quickly, revised quickly, and sold cheaply. The author has enough talent to shoot higher.