Sushi Zo

Restaurant: Sushi Zo

Location: 9824 National BlvdLos Angeles, CA 90034. (310) 842-3977

Date: April 8, 2011

Cuisine: Japanese / Sushi

Rating: Top warm rice style sushi.

LA is a sushi town. I eat a lot of sushi (just take a look at my LA Sushi review page!). People say Zo is the best in town. I finally went.

Unfortuantly, this outside shot is all you get, because they don’t allow photography. Bummer, because the sushi was good.

Zo is omakase only. You sit down. They bring you stuff. They charge you by the piece but don’t really tell you how much. They keep bringing you sushi. Eventually you get full and they hand you a (stiff) bill. It’s closest in style and format to Sasabune (my detailed reviews of that, with photos, HERE and HERE).

This is Osaka-style “warm rice” sushi, like Sasabune, and presumably descended from the same Chef Nozawa source. The individual pieces are made one at a time, no precutting, and given to you in a hurry. The fish is superlative, although each piece seems to have been placed in a miniaturization machine set to 70%. I’ve never seen sushi this small. This was particularly humorous when it came to the “battleship” style ones like Uni (sea urchin). They just looked so cute and diminutive (maybe 50-60% size for these). But I’m not sure this size issue resulted directly in less value. At the end I was still just as full as at Sasabune, although it cost perhaps 10-20% more. I perhaps had more pieces numerically. But each was certainly smaller.

The fish was a bit better than Sasabune, and certainly better than Echigo. The preps are very similar, with 90% being “no soy sauce” — a fact of which we were emphatically reminded each and every time. There was a lot of use of vinegar, yuzu and other brightening flavors. I do like these, but I think it did tend to distract slightly from the fish — which was stellar.

The chef had a bit of an attitude. Bordering on brusk. First the no camera bit. Then the sushi-nazi style directions on the table about proper sushi etiquette, the hurried pace, and the “no soy sauce” or “yes soy sauce” commands — barked.

But food wise, this is overall the best warm-rice style sushi I’ve had in recent years. I really should go back to Nozawa, but it’s been way too long for me to give him proper perspective.

But I’m thinking I prefer Sushi Sushi (reviews HEREHERE, and HERE). The deal is a little better, it has more variety of style, the fish is just as good, and I prefer the more traditional Tokyo (cold rice) style, the friendly chefs, and the emphasis on the taste of the fish.

For more sushi reviews, check out my LA Sushi page.

Shameless

Title: Shameless

Genre: Comedy / Drama

Stars: William H. Macy (Actor), Emmy Rossum (Actor)

Watched: April 8-12, 2011

Status: First Season

Summary: A guilty pleasure

 

Shameless is Showtime’s latest entry in the “edgy comedy” category, a slot they’re fond of (Weeds, Dexter). In any case, Shameless is an American remake of a British show, and centers around a working class Chicago family with an extraordinarily bad and alcoholic father named Frank (William H. Macy) and a bevy of often delinquent children and associated hangers on.

While Macy is great, nicely straddling the line between likable and incorrigible, the show is anchored by oldest daughter and effective mom Fiona (Emmy Rossum). I never noticed her before (she had minor roles in a couple movies I’ve seen), but she’s fantastic in this role. She brings to the table a wining hand of tough, sexy, vulnerable, and sheer chutzpah.

Tone wise, this show is much like Weeds in that it mixes (attempted) social satire with the ridiculously scandalous and the sketchy. This blending of comedy with the truly unwholesome seems to be more and more popular, but it first knocked itself on my consciousness in the mid 90s with Reese Witherspoon‘s Freeway. I mean in Shameless we’re talking baby-napping, highly inappropriate sex, “borrowing” the elderly, all sorts of fraud, at least 4 or 5 different portrayals of male backdoor action, blow jobs under the kitchen table, some really really bad parenting, and I’m just getting started. But the show tries to wash down this heavy stuff with a big tongue in cheek and a medium dose of Guy Ritchie-style cinematography.

It’s a pretty titillating show too — like watching a sexy train-wreck with lots of nudity.

And overall I think it succeeds, and succeeds well, not so much because it’s funny — it is — but because it manages to make us care about the characters. This is a complex tonal balance, and the season finale isn’t perfect, but despite all the unrealism, and the unbelievable (and unacceptable) stuff spun with a comic touch, there remains a realistic feel to the people. I found myself glued, pounding through the season in 3-4 episode-at-a-time video-on-demand bindges. While the players’ actions may at times be comic, their emotional response is not.

Pecorino – No Sheep is Safe

Restaurant: Pecorino

Location: 11604 San Vicente Blvd., Brentwood, CA 90049. 310.571.3800

Date: April 9, 2011

Cuisine: Abruzzi Italian

Rating: Unusual, tasty, very slightly over priced.

 

Pecorino is one of the twelve or so Italians on San Vicente in Brentwood. It’s relatively new, and replaced a good new American called Zax at the end of the street. One might ask why the street needed another Italian. Well it didn’t but Pecorino does offer a different (and good) take on the boot. The place specializes in the rustic cooking of Abruzzo, which is not only interesting and good, but certainly underrepresented.

The facade. Inside is cozy and stylish.

The menu.

Pecorino has a number of premium wines by the glass, which is nice. They are a little pricey, but I still like the option. I got a glass of Brunello followed by one of Amarone.

The bread.

And they serve it with this chickpea paste, which is tasty.

Caprino. Warm goat cheese “Crouton” served on a bed seasonal greens with hazelnuts.

Spaghetti with lobster. Chopped Maine lobster in a light garlic sauce with lobster juices and parsley. This is a really nice pasta. There’s a lot of lobster meat in here too.

Penne. In a tomato and basil sauce with green onions, cherry tomatoes and shaved pecorino cheese.

Lamb “Casserole”. De-boned Rack of lamb with pecorino cheese and artichokes “Chef’s Hometown recipe. This is an unusual, rustic, and delicious dish. It’s mildly cheesy, with big chunks of lamb and lots of artichokes.

Pecorino is a very good place, and it’s nice when an Italian gets away from the same old litany of dishes. It is however, mysteriously a bit more expensive than some of the others of fairly equal quality (like say Palmeri down the street). There’s a good amount of price variation in the Italians, and I’m not sure I get it. Still, the food’s very good.

Back to the Future Part III

Title: Back to the Future Part III

Director/Stars: Michael J. Fox (Actor), Christopher Lloyd (Actor), Robert Zemeckis(Director)

Genre: Time Travel Comedy

Year: 1990

Watched: March 31, 2011

Summary: Ug. What happened?

 

The end of part II leaves us with this sweet little setup. And then Back to the Future Part III just craps all over it.

Really this is barely a time travel movie. Basically Marty just pops back to 1885 to save Doc from being shot by Biff’s great-grandfather (again played by the same actor). The DeLorean has run out of gas… in 1885, so they have to figure out how to get it up to 88 miles an hour. Answer locomotive. This is a reverse of, but nearly the same, as the gimmick from the first movie with having to generate the 1.21 gigawatts of power via lightning bolt. Oh, and Doc falls in love.

What follows is a pretty silly, downright camp, little western pastiche. And that’s about it.

As I said, there isn’t much of the time travel and paradox fun we had in the first two films. But there is more rehash of the same jokes. Michael J Fox plays another McFly family member. Although one has to wonder why his great-grandmother still looks like Lea Thompson when she married into the family in the 50s! And the Fox genes must be dominant over the Glover ones. Oh we also get the “Biff eats manure” joke again. There’s also Doc’s little romance. I know it’s supposed to be sweet, but it really wasn’t doing it for me. Nothing really did, sorry.

This is only the second time I’ve seen the film (compared to like 15 times for part I and 5+ for part II). I remember being massively disappointed in the theater in 1990 (maybe even on opening night). I don’t feel any differently 21 years later.

I hope they don’t do some awful part IV that’s on par with Indiana Jones and the Kingdom of the Crystal Skull.

Check out the Back to the Future review Part I here.

Or my review of part II here.

JiRaffe is no Joke

Restaurant: JiRaffe

Location: 502 Santa Monica Blvd. Santa Monica, CA 90401. 310.917.6671

Date: April 1, 2011

Cuisine: French American

Rating: Santa Monica Classic

 

To me, it seems JiRaffe has been here forever. It opened in 1996, and to have made it 15 years in Santa Monica is no small feat. The space next door (which is a really nice two floor space) has had 7 restaurants in the same period! JiRaffe remains not only in business, but busy — and good. It is headed by Chef/Owner Raphael Lunetta and serves creative California adapted French influenced flair with a concentration on farmer’s market ingredients. Lunetta was ahead of the recent trend exemplified by places like Gjelina, Rustic Canyon, and Fig. His style is more classic, but not in the least outdated.

The nice two floor space. There is a loft (not visible) with a number of tables too.

The cocktail menu.

“Blood Orange Cosmopolitan, Grey Goose Vodka, Key Lime and Fresh Blood Orange.” This is the kind of real cocktail I like to see, not the saccharine kind of concoction I got the other week at Gladstones (see here), but a drink made from fresh ingredients and no flavored alcohols. It was tart, but really flavorful.

The appetizers.

A variety of breads.

The amuse, a mushroom cream cappuccino. Very tasty, almost truffle flavored and very rich. They actually goofed slightly and brought this after our appetizers, making it more of an intermezzo, but it didn’t matter.

“Roasted Organic Beet Salad, organic beets, carmelized walnuts, dried cherries, goat cheese cream, banyuls-ginger vinaigrette.” This dish has become ubiquitous, but I suspect JiRaffe was one of the earliest to offer it on their menu (it might have been an 80s Wolfgang Puck invention, but I’m not sure). This particularly implementation has always been one of the best I’ve ever had. The sweet of the beets pairing beautifully with the sharpness of the goat cheese, and the chewy crunch of the walnut/cherry combo adding to the effect.

“Purple Peruvian Gnocchi, rock shrimp, pearl onions, mandarin tomato concassé, herb infused tomato nage.” Although these gnocchi look like the grubs I encountered in china (as a breakfast condiment for congi), they tasted delicious. The sauce was extremely buttery, and paired perfectly with the soft little pillows and the tender shrimp.

Les entrees.

“Crispy Scottish Salmon with parsnip puree, white wine braised fennel, and an aged balsamic nage.” Note that the fennel was substituted out here for spinach.

“New Zealand Lamb Rack, yellowfin potato samosas, vegetable moussaka, thyme-scented lamb jus.” The lamb itself was delicious, exactly what you’d want. The jus perfect as well. My only complaint was the samosas which were very bland, tasting only of potato. I’m not such a plain starch fan. They were okay soaked in the jus, but I would have preferred a strong curry flavor or something.

JiRaffe also has a VERY yummy looking dessert menu, but we were too full to partake. The full menu can be found HERE.

Overall JiRaffe is a Santa Monica classic, and for good reason. This is a solid kitchen and everything is very tasty. The menu remains consistant. It does change, but in a slow evolutionary way, mostly swapping out seasonal ingredients and preserving what is essentially the same dish. They could experiment a little more, but they do have a good thing going.

Back to the Future Part II

Title: Back to the Future Part 2

Director/Stars: Michael J. Fox (Actor), Christopher Lloyd (Actor), Robert Zemeckis (Director)

Genre: Time Travel Comedy

Year: 1989

Watched: March 30, 2011

Summary: Lots of time travel, and fun!

 

Following up on such a gem of a movie as 1985’s Back to the Future (my review here) must have been a daunting task. And it occasioned part II and part III being filmed together, and released only 6 months apart. As far as I know this was the first time this kind of joint production was ever done.

In any case, I always liked part II, particularly since it has the most time travel of the three, and certainly the most complex examination of the basic principle of time manipulation. It starts with a literal repeat of the last 3 minutes of BTTF (although they must have reshot some of it because they inexplicably replace Claudia Wells with Elisabeth Shue as the girlfriend — not that this lame duck role matters. They then pop into 2015, where Hilldale Ca is both the same and very different. The technological inovations proposed are pretty amusing, and most of them still haven’t happened in 2011. Again, where’s my hoverboard? But they missed a few things — like the cel phone, or the death of the fax machine.

Anyway, while avoiding paradox, and just having run with the same cast of actors playing different ages, characters, (and genders), Biff manages to steal the time machine, bring it back to 1955, and give himself a sports almanac. Then he inexplicably brings the DeLorean back to the good guys. Go figure! When they travel back to 1985 they find Biff’s nefarious influence has trashed the entire town and made a blade runner-esque hell of the place. There are some good moments here again paralleling the now standard running jokes with each character. Marty waking up to versions of his mother. The principal as bad ass with an axe to grind, etc.

Once they figure out how all this mess got rolling, back to 1955 they go to sort it out. This involves a parallel track recreation of the first movie’s main events without disturbing these. This is great fun, revisiting the “Enchantment Under the Sea” dance from a different perspective. As far as I know, this is the benchmark scene for a two-pass time travel-type scenario. The car chase at the end however, is a bit tedious. And why, may we ask, is it possible for Marty to call doc on a walkie-talkie from the back of Biff’s convertible, while Biff is about 2 feet away in the front seat? I don’t know about you, but when I’m alone in a car and someone has a conversation in the back seat, I generally notice.

The film ends with an awesome setup for the third part. I love the Western Union bit. But watching all three back to back as I did, I could have lived without ALL THREE movies replaying the footage of the Doc at the clock-tower.

These problems aside the movie is great fun. Other reviewers seem to find the time travel antics byzantine in this outing, but this is exactly what I loved about this film. At least it dares to create an alternate present, and then undo it. True there are a few moments where the cast has to answer audience questions in near straight exposition. For example, when Marty and Doc head from messed-up 1985 to 1955, but leave Jennifer (the useless Elisabeth Shue) behind, Marty has to ask why, and Doc launches into a whole explanation about how the time continuum will fix itself around them.

Again the technical transfer on the new blu-ray versions is awesome. This was always a slick film, with the future scenes in particular filled with fun effects. It holds up perfectly well. There is the occasional shot where the rotoscoping is obvious (compositing has gotten a lot better in the 22 years, Cliffhanger being, I think, the first film to use the new digital compositing). But these minor issues don’t date the film at all. Now if only they wrote a better part III.

Check out the Back to the Future Part I review here.

Or, coming soon, a review of part III.

For more 80s films, About Last NightBetter Off Dead, or The Sure Thing.

Totoraku – Secret Beef!

Restaurant: Totoraku

Location: 10610 W Pico Blvd, Los Angeles, CA 90064.

Date: April 7, 2011

Cuisine: Japanese Yakiniku

Rating: Best beef in town!

 

Six or seven years ago my friend and then-boss Shuhei Yoshida took me for the first time to the “secret beef” place. He warned me. It’s hard to find, is unlabeled, there are no walk-ins, and the door is often locked. I’ve been back at least 6-8 times since and am now friendly with chef/owner Kaz Oyama. This place is invitation only. Some one in the party needs to know Oyama-san (that would be me this time). It serves a very refined version of Japanese Yakiniku, which is Beef BBQ originally from Korea but filtered through Japanese sensibility.

This particular meal is the March Foodie Club meeting. And yeah, we’re late by a week (for March). We took eight people.

The outside is basically a shell. The “Teriyaki House” has nothing to do with the food within, and the phone number is incorrect.

The “decor,” is almost amusingly spartan (ugly actually). Nor is this a big place.

One of my favorite things about Totoraku is that the wine is all BYOB, hence no corkage, and the food (being mostly beef) goes so spectacularly with big red wines. You can see some of the bottles left over from previous guests, many of which are of the very highest level. We’re talking 1945 Petrus, La Tache, or Hommage du Jacques Perrin.

The wine prepped in my cellar and ready to go.

This unusual Spanish white earn 92 from Parker, “The 2007 Gorvia Blanco was sourced from a single 3 acre vineyard planted exclusively to the indigenous variety Dona Blanca (used in the past mostly for grappa production or as a table grape). Medium straw-colored, it reveals aromas of apple, pear, slate/mineral, citrus, and acacia. Crisp, concentrated, and intense (in the style of top-level unoaked Chablis), in the mouth it is vibrant, complex, and impeccably balanced. It should provide both intellectual and sensual pleasure for another 5-6 years.”

There are three dipping sauces. Left to right, a sweet teriyaki-style sauce, lemon juice, and light soy sauce.

The impressive looking appetizer spread. This is for four people. Everyone gets a bite sized bit of each.

Pear with prosciutto. Very sweet and soft, with a hint of salty.

Black sesame tofu. Highly unusual and delicious. Nutty, gooey and chewy.

Akimo (monk fish liver). Some of the best I’ve had, very soft and not very fishy.

Vegetable jelly. Interesting texture, tasted like… vegetables.

Sockeye salmon wrapped in jicama, with avocado and a kind of soba.

Fresh steamed abalone on zenmai Japanese royal fern), a sansai, or mountain vegetable. Delicious. Very tender abalone, and the vegetables nicely pickled and earthy.

Kohlrabi in a kind of potato salad like prep. Excellent crunchy texture and a nutty flavor.

Hard boiled qual egg stuffed with code row and crab. Tasted like a deviled egg!

Shrimp on endive with caviar. The endive lent a nice crunch and slightly bitter tang.

I always like to start the reds with Burgs. Parker gives this 92, “Bachelet’s 2005 Gevrey-Chambertin Vieilles Vignes – from 60- to 70-year-old vines both below the route nationale and north of Gevrey in Brochon – offers lovely black fruit aromas with hints of anise and mint. A truly palate-staining intensity of vividly-fresh, tart but ripe black cherry and blackberry is underlain by firm, fine tannins (not precluding an emerging silkiness of texture) and augmented by bitter-herbal and stony notes. Although palpably dense and abundantly tannic, this outstanding village wine still comes off as juicy, sleek, invigorating and refined. Put it away for at least 5-7 years.”

Beef carpaccio with special salt, flowers, and some onion family derivative. Very yummy. This is eaten raw.

Two kinds of beef sashimi, eaten nearly raw. On the left beef tataki (rib eye) and on the right (in the cup) beef throat sashimi. Also on the plate is a bit of Korean style hot sauce (the red stuff), some intensely strong garlic (yum) and micro julienned ginger.

The throat was very chewy, more about texture. The rib eye soft and more flavorful. All went well with the garlic and ginger — I particularly liked the garlic.

 

Homemade smoked beef tongue. Tasted just like a good pastrami.

A raw beef dish. Marinated raw beef is seen here with ginger, raw egg, cucumber, daikon, pine nuts, and something orange. Apparently, this is a Korean dish called Yukhoe. Actually, I’ve had it at Korean places, but in any case it’s delicious.

The elements are mixed together and then eaten. It’s hard to describe why it’s so good, but it is, with a very complex flavor and texture interplay.

I went to this vineyard in 2009 and convinced the owner to sell me a case of this spectacular old vine, but little known (and little made) wine before it was even released. He had to put the labels on hismelf. Parker 96. “The top effort, the 2007 Cotes du Rhone-Villages Rasteau Fleur de Confiance, is awesome. An inky/blue/black color is followed by a stunning bouquet of scorched earth, incense, blackberry jam, coffee, and spice. This full-bodied, massive, stacked and packed Rasteau is destined for two decades of life. Its sweet tannin and textured mouthfeel are compelling. Give it 2-4 years of cellaring and consume it over the following 20 years.”

Chef/Owner Kaz Oyama, fleeing from the “paparazzi” with a glass of the Rasteau.

The raw is finished, and so out come these humble little BBQs.

Beef tongue with salt.

So many moo-less cows.

BBQ to perfect, and add a bit of scallions, then dip in lemon juice and enjoy. This is about the most tender tongue I’ve had (and I’ve had plenty). It’s still a dense slightly rubbery texture, but delicious.

Filet Mignon with bell peppers, onions, and sisho pepper.

These are all grilled up. You can eat the beef however you like, I prefer rare to medium rare. The peppers even had a bit of heat, but not so much, but a delicious flavor.

The “salad.” Cucumbers, carrots, daikon.

They are served with this spicy sweet miso dip. The vegetables do help to move along the fat and protein heavy meat.

Momotaro tomatoes with a vinaigrette. These are supposedly incredibly good tomatoes, as a hater, I didn’t try them. I think Oyama-san gets them from some special place in Orange Country.

Parker gives this blockbuster 96 points. “The 2008 Flor de Pingus had been in bottle for 2 weeks when I tasted it. It offers up an enticing nose of smoke, Asian spices, incense, espresso, black cherry, and blackberry. On the palate it displays outstanding volume, intensity, and balance. Rich, dense, and succulent, it has enough structure to evolve for 4-5 years and will offer prime drinking from 2015 to 2028.”

I had asked special if we could get a bit of seafood thrown in just to “break up” the meat. These are nice jumbo shrimp.

Shrimp on the barbi!

Outside rib eye with special salt and garlic.

Cooked here with the scallions.

To medium rare. Then eaten with the sweet sauce. Personally I like this better than the filet as it’s fattier and has more flavor. It’s slightly less uniform in texture.

Chilean sea bass with a bit of dressing and peppers. Tasty, but not as fantastic as the beef.

Sashimi grade salmon with pepper and lemon. Simple, but the fish was so good it was delicious.

Inside rib eye.

It’s hard to compare the inside and the outside. I think the outside might have been very slightly better.

“Special” beef. I think it was a form of sirloin. It was certainly good, very salted.

A little early for this massive Parker 98. “The 2007 Espectacle is 100% Garnacha sourced from 120-year-old vines located at La Figuera on the northern edge of the Montsant DO. The vineyard is managed by Rene Barbier’s Clos Mogador team and is aged in one 4000-liter vat at Celler Laurona. The 2007 Espectacle reveals a sexy bouquet of mineral, Asian spices, incense, truffle, and black cherry compote. This leads to a full-bodied, plush, succulent, impeccably balanced wine which admirably combines elegance and power. It will evolve effortlessly for several more years and have a drinking window extending 2013 to 2022 if not longer. It is Montsant’s benchmark wine and a world-class expression of old-vine Garnacha.”

Short rib. Close to the Korean galbi. This is way more tender than what you’d get a typical Korean BBQ house and was my favorite of all the cooked meats. It’s also probably the richest — go figure!

Raw.

Less raw. Goes in the sweet sauce — yum!

Skirt steak.

This is a tasty but sometimes tough cut. Not here, soft as butter.

A bit of a “bonus round” with left to right, short rib, filet, outside rib eye.

Were cooking now!

The lynch is always one of my favorites. Parker gives the 2000 96 points. “Beautiful creme de cassis, and cedar in a surprisingly full-bodied and evolved style that could be drunk now. I originally predicted 2008-2025 for the window of full maturity, and that looks accurate, as this wine, which exhibits a little amber and loads of glycerin, is probably the biggest, richest Lynch Bages produced after the 1995 and before the 2005. Succulent, with lots of juicy black fruit and silky tannin, this is a beauty that can be drunk now or cellared for another 15-20 years.”

The final savory course is a rice and egg drop soup. You could get it spicy or mild (this is spicy). Apparently in Korea this is called Gukbap. It helped wash down the beef.

There are some special ice creams and sorbets.

On the left White Chocolate, bottom Espresso, right Lychee, top Blueberry, back pistachio. I liked the ice creams better than the sorbets (which isn’t usually the case). The sorbets were a bit mild, although certainly very nice. The White Chocolate was my favorite, followed maybe by the Pistachio.

I had brought 12 wines (for 8 people) but we only made it through 6. I was a bit disappointed because I never got to my biggest gun, a 1970 Palmer, because I opened 6 bottles at the beginning to breathe. But still, the “little” guns were pretty great. Big reds always go extraordinarily well with this very beefy meal.

And this place IS all about the beef, which is arguably some of the best I’ve ever had. Certainly the best yakiniku/Korean BBQ I’ve ever had. There is a perfect tenderness to every cut that’s fairly transcendant. I’m not even that much of a steak fan — but I’d take this stuff any time over even a spectacular cut from Mastros or Cut. The food here does not vary much from visit to visit. There is no menu. The quality however is utterly consistant. So while it isn’t an everyday sort of dining experience, perhaps once every 6-9 months, I love to return for my fix.

For other Foodie Club meals, click here.

Fellow Foodie Club Chair - EP

Call For Feedback

As a writer, feedback can be essential to the process. You don’t necessarily want to spend months writing the whole novel draft to find out the voice sucks, or that your plot is boring. I’m a frantic high energy writer (I work 8+ hours a day and usually churn out 2,000 pretty good words), and one of my biggest problems is getting enough feedback fast enough. I want to find out how a chapter works NOW, or hash out what’s going to happen tomorrow. My plots are intricate and I have two people (one I’m married to) who ALWAYS read chapters in a few hours and are willing to spend an hour brutally arguing about how well they work.

Still, it’s not enough. I also use a number of professionals who provide awesome advice, but not only do the cost money, but they’re busy and often take a few weeks to turn stuff around. I’d give a nut for another conspirator who’s great at plot construction. Relatively few people are willing to say, “No, no, this whole branch of the action is boring, the villain and the hero need to be face to face.” Then actually provide suggestions to mull over or shut down. Most amateur critics nitpick on sentences or little inconsistencies. Those are useful, but the big picture criticisms — and more importantly suggestions for fixes — are harder to come by.

I’m looking for something analogous to a TV writers room where people know the story and characters to every last detail and can really yell and hash out ways to interject more power into the story at the plot and character level. This is the hardest part for me to do alone. I can take any basic sequence of events and turn it into a great scene, but building the perfect twisty-turny plot with engaging characters is hard. There’s a reason why you see this most often in great TV shows where they have a room full of brilliant people.

A good argument over the story fuels my creative fire. I suspect if I had more of it I could write even faster.

And I’m willing to pay for said criticism with highly responsive reciprocal reading and response on how your stuff could be better! 🙂

Seriously. I’m extremely fast and sleep very little. There’s no give it to me and have to check back a couple weeks later. I tend to turn stuff around in hours. I’m willing to talk at odd ball times. I can do everything from plot to line editing.

So if you’re another writer, interested, fast, dedicated, good at plots, like the fantastic (my stories always involve some supernatural/speculative element), and willing to dedicate a couple hours a week, shoot me a note and we’ll see if there’s any synergy.

or blog

Also, peek at my novel in progress: The Darkening Dream

Making Game of Thrones

HBO has posted a new 25 minute Making of Game of Thrones video which is really good.

CLICK here for my review of Episode 1 of the upcoming series,

or HERE for more videos about the series.

Back to the Future

Title: Back to the Future

Director/Stars: Michael J. Fox (Actor), Adrian Paul (Actor), Christopher Lloyd (Actor), Robert Zemeckis (Director)

Genre: Time Travel Comedy

Year: 1985

Watched: March 29, 2011

Summary: Still a jewel box of a script.

 

Because my second novel is about time travel, I’ve been trying to read and watch (or re-watch) as many time travel books and films as I can (not that I haven’t previously mined the genre). Although I’ve probably seen BTTF 15 times, it’s been a  few years, more than 10 for sure.

I bought the new blu-ray Anniversary Trilogy too. This is a NICE restoration. The film looks as good as it did when I saw it right after getting back from summer camp in 1985, maybe better. And this was a slick slick film at the time. Really, other than a bit of noticeable rotoscoping, it could be a 2011 film.

Except it’s a lot better. The script and the editing make sense!

Because this is a few years before Top Gun would precipitate the precipitous marketing-driven decline of filmmaking, BTTF is simultaneously incredibly commercial and incredibly good. This script, by Robert Zemeckis and Bob Gale, is tight tight tight. I can only imagine how many passes it underwent because there is not one line out of place. You all know the story, but if you watch it again pay attention to how in the first 5 minutes everything you need to know is setup. Marty’s parents met in 1955 when Grandpa hit George McFly was his car (“We never did understand what he was doing on that road anyway.” Lorraine says). They go to the “Enchantment under the Sea Dance.” That same year Doc Brown got the idea for the time machine. Libyans have stolen some plutonium, it’s under Doc’s bed. In the next 5 minutes Doc teaches us everything we need to know about the time machine. Bang bang, all the ducks are lined up.

Then all this setup pays off over the next hour and a half. Every line. When we see that George McFly is in the road because he was a peeping tom and falls out of the tree, it’s oh so much funnier knowing that this is how he met his wife. And knowing that, when Marty screws up that meeting… changes are set in motion. Changes he has to fix. The parallelism between the present (1985) and past (1955) are contrived and slapstick but a joy to watch. We here about Uncle Joey in jail in the present, we get the “get used to that view” wisecrack about baby Joey behind the crib bars. We’re used to it now, we’ve seen it a lot of times, but this is a clever clever script.

And the casting couldn’t be better. For this kind of lovable goofball, Michael J. Fox is deservedly beloved. Christopher Lloyd steals the show with his over the top Doc (“Thank God I’ve still got my hair!”). Lea Thompson is a babe as Marty’s mom. Great writing great acting, what more could we want? And we have top notch production, music, and effects too. None of it looks dated on blu-ray.

Very interesting now, 25 years later, realizing that the 1985 of the story is almost as far back in time now as the 1955 was then. And 1955, that’s 56 years ago! Wow. So in a way, that adds an extra time travel jump to the whole thing. Which gets even more amusing when we pick up again with Back to the Future II and it’s 2015 setting!

LOL Where are the hoverboards?

For my review of part II, click here.

For more 80s reviews of mine, check out About Last Night, Better Off Dead, or The Sure Thing.