The Name of the Wind

Title: The Name of the Wind

Author: Patrick Rothfuss

Genre: High Fantasy

Length: 255,000 words, 720 pages

Read: May 2008 & Feb 28-Mar 2, 2011

Summary: Best new fantasy of recent years.

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In 2008, I read this 722 page novel in Xian China during a single sleepless night, and I reread it just now for the second time in preparation for the sequel (released this week): The Wise Man’s Fear. NOTW is a beautiful book. Of all the Fantasy I’ve read in the last 15 or so years, this is perhaps second best after The Song of Ice and Fire. But that’s not to say that they have much in common, other than both being good Fantasy. George R. Martin‘s books are full of characters, POVs, violence, politics, and a darkly realistic sensibility. NOTW is much more focused and relies on more traditional Fantasy tropes. How focused can a 700 page novel be? Not very, but it is good, and it concentrates on a small number of characters and a single (albiet meandering) storyline.

Kvothe is the protagonist. He’s a young man of many many talents, of no means whatsoever, who winds his way from the actor’s troupe to the mean streets to the magical University and to (implied) great and terrible things.

If I have any beef with the book, it’s that the meta premise of the tired hero telling his story is too drawn out. This volume opens in the “present day,” where very little happens except to set us up for the life story of the hero, which is brilliant. Much like Lord of the Rings or Hyperion, the reader must slog for a bit to get to the gold. In this case about 50 pages in. But the slogging isn’t exactly painful because Rothfuss’s prose is lyrical and masterful. Seriously, it’s a wonder given the tangents, bloated conversations (the dialog is great but not efficient), and the like that this book is so easy to read — but it is. Damn easy, even the second time.

The world and the hero juggle uniqueness and heavy — but delicious — borrowing from classic Fantasy of the best sort. I sniffed out a bit of Ursula K. Le Guin (think Wizard of Earthsea), Raymond Feist, Robert Jordan (Wheel of Time), and who knows how many others. The world is extremely well developed, and feels big, but it doesn’t doesn’t have the camp and cheese of Wheel of Time (although it does pay homage). I love origin stories and I very much enjoyed Kvothe’s journey. He’s a great character: humble, proud, skilled, lucky, unlucky all at once, but in a fairly believable way. Perhaps the most important relationship in the book (and there are actually relatively few) is the romance, and it has a tragic quality that feels very refreshing, and slightly reminiscent of the best of Orson Scott Card (think his old stuff like Song Master) or Dan Simmons.

The magic is very unique and interesting, and we focus on it quite a bit, as this is a story that spends a lot of time in the Arcane Academy. This ain’t no Hogwarts either, it feels altogether more mysterious and dangerous. There are several different magic systems interwoven in what is a world overall fairly light on magic. But this is also a world that feels a bit more technological than most Fantasy, with larger cities, a little more like antiquity than the Middle Ages. The “magical bad guys” have a nice character and bit of mystery to them. I don’t like all my mystery explained. There is a lot of music and theatre in here too, and that just helps heighten the lyricism.

But what exactly makes this book so good?

Proving my geek-cred, swapping some Crash Bandicoots for signatures with Patrick Rothfuss

Fundamentally I think Rothfus is just a great writer, and a very good world builder. I don’t think he’s a great plotter. The story drifts along, relies a bit on coincidence and circumstance, and the end fizzles then pops back out of the interior story and waits for the sequel. But that doesn’t really matter, because the prose, world, and characters keep you enjoying every page.

CLICK HERE for my review of the sequel, The Wise Man’s Fear.

Book Review: The Spirit Thief

Title: The Spirit Thief

Author: Rachel Aaron

Genre: Light Fantasy

Read: Dec 7-16, 2010

Summary: Ethereal fun.

 

Between a trip back east, mega editing on my own book, and another parental visit last week I only had time to read five or so novels in December, about a quarter of my usual rate.

Don’t confuse this fun little book with The Lightning Thief, which I also just read and reviewed. The SPIRIT Thief straddles a fairly unique line between totally straight up 80s fantasy and comedic fantasy the likes of River of Dancing Gods or Myth Conceptions. It’s not however as totally comic as those, and somehow seems a bit smaller and lighter (if that’s possible).

The voice is very good, and the opening scene brilliant. There’s a nice new magic system here, where every living thing has a spirit inside that wizards can bargin with, enslave, or what not. Like comedy fantasy Shinto. It’s not entirely evenly developed, but the book is at its best during the magic fights. Although they do have a certainly sketchy quality too them, where the action doesn’t feel entirely blocked out, but I still liked quite a bit of this. The master swordsmen are really nicely done, combining the intrinsic magic of the book with a slightly Robert Jordan-esque blade-master feel. There were moments that almost felt super cool.

The prose can be very wry, in a good way. Funny, without laugh out loud. A lot of this involves attributing emotion to inanimate objects, which given the magical system is perfectly in line. When it’s on, this is certainly very fun to read. But at the same time this levity makes it hard to take the characters too seriously, and certainly not their perils. So it works for and against. I found oddly marooned in a peculiar — albiet unique — tone.

For some reason it also reminded me a bit of Shattered World, one of my high school favorites. Probably because the protagonists is a thief. I maybe wanted it to feel more like that, but it doesn’t feel as big. Everything takes place in a fairly short time and place, and the stakes seem a little local. The light tone also works against the emotional intensity of the characters, and I for the most part feel that they existed to either service the plot, or like the author was more sure of their personality than the character. The villain in particular is of the “i’m very bad, and very mad, and bad at being mad” sort.

So overall I would call the book a snack. But a tasty one.

Book Review: The Gathering Storm

The Gathering Storm

Cover via Amazon

Title: The Gathering Storm

Author: Robert Jordan and Brandon Sanderson

Genre: High Fantasy

Read: Late Sept 2010

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Summary: Recommended only to the very determined WOT fan. If you haven’t read any of them, read Eye of the World, since it is very good.

After reading the rather enjoyable The Way of Kings I figured I’d finally return to the latest in the world’s longest running Fantasy series, The Wheel of Time, also known to us long time fans as The Wheel of Tedium. Sure the first five or so volumes were amazing, but now at twelve, plus a prequel, and with each clocking in at around 400,000 words it’s getting a bit… long. First of all, since it had been five years since I read volume eleven (which was decent, and cost me a good chunk of life by motivating me to install World of Warcraft) I had to do a little studying. Even with a partially photographic memory I found that while reading the summaries of books 9-10 online to “bone up” that I couldn’t remember even remember reading 10. Well, maybe a little. Anyway, the cast of characters has grown so vast that no one could be expected to follow it without extensive study if any appreciable time has passed between reading (and eleven was released five years ago). But I began. I forced myself through about 200 pages (no movement in the plot) and found I could only care about the tower thread. This major plot thread, the most important one of this volume, involves Egwene in the White Tower.  I’ve always liked the White Tower, as long as I turn off my sexism detector because the way in which Jordan has always written women — bitchy and he goes to great length to show and tell this point — grows very tedious. For pages 200-500 I read the Egwene chapters (enjoying them immensely, and skimmed most of the other chapters. Eventually, even this became too much and I had to resort to the WOT wiki to read chapter summaries for all the chapters except for Egwene’s and Rand’s, and even Rand’s were pretty painful. To tell the truth, ever since Rand became the Dragon Reborn and big head honcho he hasn’t been that interesting. Being a ridiculously-all-powerful-dude-in-command-of-vast-resources-and-armies leads to scenes that smack of the new Star Wars council or those with Orpheus in the Matrix 2 or 3. If you loved those… read on. Anyway, the Egwene section is a novel in itself, surely over 100,000 words, and is quite good, wrapping up with a big battle at the end. Because I’m a completist, I’ll force myself to skim through volumes thirteen and fourteen to finish the epic, but I doubt I’ll enjoy it. With all my skimming I was able to “read” the whole thing in one day. It was certainly no worse than any of the recent volumes and I was unable to tell where Jordan left off and Sanderson began, it felt authentically Wheel of Tedious.