Monthly Archives: April 2011

The Hillel Sandwich

The Hillel Sandwich is a a traditional passover specialty. Simple in concept, it is a potent and delectable seasonal item.

The base is matzah, unleavened bread (cracker-like). Seder participants recall the slavery that reigned during the first half of the night by eating matzo (the “poor person’s bread”), maror (bitter herbs which symbolize the bitterness of slavery), and charoset (a sweet paste representing the mortar which the Jewish slaves used to cement bricks). In the process of fleeing from the wrath of Pharaoh, there was no time to leaven the bread, and hence what was probably a flat risen bread like pita, became matzah (even flatter and denser).

My mom’s homemade horseradish (the pink color comes from beets mixed in). This is known as the bitter herb and symbolizes the bitterness and harshness of the slavery which the Jews endured in Ancient Egypt. This concept is extended to represent the bitterness of any kind of enslavement or bondage, throughout the whole world and all peoples.

Horoset, a mixture of apples, nuts, cinnamon and other spices. This is representative of the mortar used by the Jewish slaves to build the storehouses of Egypt.

We lay everything out.

Start with the horseradish.

Throw some of the horoset on top, and enjoy.

On the symbolic level: During the Passover Seder (the annual commemoration of the Exodus from Egypt), one re-enacts ancient customs in the Haggadah. In the section of Korech, or ‘sandwich’, participants are instructed to place bitter herbs between two pieces of matzo and eat them after saying in Hebrew: This is a remembrance of Hillel in Temple times — This is what Hillel did when the Temple existed: He enwrapped the Paschal lamb, the matzo and the bitter herbs to eat them as one, in fulfillment of the verse, “with matzot and maror they shall eat it.”(Numbers 9:11) In modern times, when there is no paschal lamb, Ashkenazi practice is to emulate this by making a matzo, maror, (horseradish or lettuce) sandwich. Philo has called this sandwich a “moral migration from wickedness to virtue. Repentant sinners at first brood bitterly (maror) over their past misdeeds. Then matzah, the healing food, brings them to humility and contentment.”

The culinary  interest is in the combination of flavors and textures. The crunch of the matzah, the often savage punch of very good horseradish, and the sweetness of the apples. For me, both the matzah and the apples allow one to withstand a higher does of horseradish. At home I like to mix the sweeter red (because of the beets) radish with Atomic Horseradish. The later is often lethally potent, and good for some good table pounding during the 10-15 seconds required to “endure” the experience.

Sotto – Sicily con Sardo

Restaurant: Sotto [1, 2]

Location:  9575 W Pico Blvd, Los Angeles, CA 90035  310.277.0210

Date: April 16, 2011

Cuisine: Sicilian and Sardinian Italian

Rating: Bold flavors, off to a great start!

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This new venture into the crowded LA Italian scene is a welcome change of pace. Sotto offers very reasonably priced regional Italian dishes (southern, with a Sicilian and Sardinian slant) with an unabashed traditionalism of a sort. There is no real effort on this menu to cater to the long standing American Italian palette, as influences as it is by late 19th century Southern Italian cooking. This is no red sauce (restaurant with red and white checkered table cloths and chianti bottles).

Located in the rising lower Beverly Hills district we had to fight through crowds leaving shul to descend into the packed, loud, and hard surfaced interior.

The short but very reasonable menu.

James Suckling gives this 2004 Poggio Il Castellare Brunello 94 points. “A decadent and ultra-rich red, with plum tart, prunes, cooked meat and berries. Full bodied, with soft and silky tannins and a long, flavorful finish. An aromatically beautiful wine. Best after 2012.”

“Pittule pugliese (vincotto, ricotta).” These little fritters tasted like supreme funnel cake, and were delicious with the fresh ricotta and vincotto (which is a sweet grape must). The amusing thing, for me, about this dish is that it’s pretty much straight out of Apicius, the 1800+ year-old cookbook. Delicious any way you cut it, but very filling.

“Blistered little gems (anchovy garlic pestata, breadcrumbs, pecorino moliterno.” An interesting salad with a smoky grilled flavor.

“Shaved beet and mixed chicory salad (wheatberries, lemon vinaigrette, fiore sardo).”

Olives. There was a little wait between the first and second courses and they brought us these complementary olives.

“Bruschetta lardo.” And this gratis charred bread spread with lard and fennel pollen. Very wood fired (not to mention rich taste). I was in danger of extreme over eating before the entrees even came.

“Maharrones de pungiu (sugo semplice, fiore sardo).” A wonderful homemade take on a simple tomato and cheese pasta. The choice of fiore sardo (a Sardinian cheese) gave it a slightly different tang.

“Casarecce (braised lamb ragu, egg, pecorino).” This was one damn fine pasta. The pasta itself had exactly the right texture and firmness of good homemade egg pasta. The ragu was nicely flavorful and meaty. Yum! I love great ragu. Some of my other favorites are here at Drago or at Capo.

“Pizza Marherita (tomato, mozzerella, basil, EVOO).” Your basic Marherita, but well done. These pizzas have a VERY wood fired taste going on, much like those from Gjelina, they are a little over-fired to my taste. The dough is good, but they taste very strongly of the grill (char, smoky flavors). When I do them on the stones in my hot gas grill (see my Ultimate Pizza) they showcase the dough and toppings a bit more.

“Pizza Salsiccia e friarieli (sausage, broccoli di ciccio, mozzarella, chillies).” A very nice meaty sausage paired with the bitter tones of the Italian brocoli. Interesting, and good.

“Bittersweet chocolate crostata, hazelnuts, salted rosemary caramel.” This looked amazing, and the texture was fantastic and very chocolaty. There was a slightly odd flavor tone in here, which might have been the rosemary. I’m not sure it added, although certainly I enjoyed it.

After 11 and the place is beginning to thin out a bit. I really enjoyed Sotto and it BOLD take on Italian. This is heady stuff, and the homemade pastas were totally amazing.

For a second review of Sotto, click here.

Upstairs 2 – Modern Tapas, Lots of Wine

Restaurant: Upstairs 2

Location:  2311 Cotner Ave., Los Angeles, CA 90064 Tel. 310-231-0316

Date: October 10, 2010 & April 15, 2011

Cuisine: Modern Tapas

Rating: Bright flavors and a lot of options.

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Upstairs 2 is located just above the Wine House on Cotner. This is one of the two great wine stores on this road, the other being Twenty Twenty Wine Merchants which is even more erudite (and closer allied to my taste in wine). Upstairs offers not only a big wine list and extensive by-the-glass offers (in multiple sizes) but a rich and varied menu of modern American tapas. As you know, I love tapas style dining because of the ability to try more than 2-3 flavors and the much more flexible composition of dinner menus.

This review is a composite of two different dinners. I show both a small set menu and a variety of “regular” tapas off the menu.

The menu.

The bread and olive oil.

Tonight there’s a little tasting menu with wine pairings. It appealed to me so I gave it a try.

This riesling was to my taste.

The cold cucumber soup, creme fraiche, and dill, not as much. I was hoping for something a little closer to middle eastern yogurt salad. This was very cucumber and dill. I enjoy those flavors but the thin texture of the soup (almost watery: the texture not the flavor) put me off somehow.

I funky powerful white.

“Half lobster tail, spinach polenta, black truffle butter.” This was the best dish of the three. The green stuff was rich and creamy and went very nicely with the firm lobster meat.

A pleasant barolo.

The osso bucco itself was tasty. The meat was firmer than a traditional osso bucco, and tasted almost like lamb. The succotash was okay.

I should have ordered ala carte. The dishes were okay, but I could have done better picking myself.

ANY CHARACTER HERE

And so, here is a collection of modern tapas designed to be shared by the whole table.

“Blood Orange Caesar Salad, Pumpernickel Croutons, Shaved Parmesan.” Very close to a traditional caesar, just with a little extra sweetness thrown in.

“Grilled Mahi Mahi, Crispy Corn Pancake, Black Bean Hummus, Avocado Mousse.” Sort of a modern fish taco!

“Medjool dates wrapped in serrano ham, stuffed with asiago cheese.” These are always yum central. The sweetness of the dates, the savory of the cheese, and the salty bite of the ham blend wonderfully.

“Lobster BLT on brioche, bacon, frisse, roma tomato, housemade mayo.” Another winner. I didn’t even mind the tomatoes here.

“Tandoori chicken salad, artisan greens, grape tomatos, raita, meyer lemon dressing.” This was great too. Somehow tandoori chicken does okay on salad.

“Crispened eggplant, fresh mozzarella, ricotta, marscapone cheese, chunky tomato and basil.” Mini pizza-like in flavor.

“Mixed heirloom tomatos, rainbow microgreens, citrus vinaigrette.”

“Lamb sausage flatbread, Moroccan red sauce, asiago cheese.” Not so mini pizza!

“Grilled Local Sea Bass, Purple Potato Ravioli, Ginger Beur Blanc, Black Sea Salt.”

“King crab ravioli, veronique sauce.” I love these butter sauces on delicate pastas.

“Grilled bison hanger steak, yukon smashed potatoes, red wine sauce.”

“Slow Roasted Kurobuta Pork, Sticky Rice, Oregano and Citrus.” This was really tasty, with a sweet asian pork thing going on.

“Moroccan Roast Chicken, Plums, Olives, Capers, Couscous.” Lots of flavor here as well.

“lamb meatballs, ouzo and mint.”

“Pappardelle Pasta, Veal ragu, Fresh Basil, Asiago Cheese.”

Dessert menu.

“Valrhona Chocolate Chip Gelato.”

“Sticky Toffee Pudding, Vanilla Bean Ice Cream.” This was good, not amazing, but good, particularly with the ice cream. I wanted even MORE toffee flavor, but I’m an extremist.

Overall Upstairs 2 is a good place, particularly in that it offers a lot of variety and really strong flavors. It’s particularly good with a part of 4 or 6 and people willing to just order up a storm and share it around. The good, extensive, and flexible wine options are great too. Also if you buy a wine downstairs, there’s no corkage.

Bastide – Chef Number Six

Restaurant: Bastide

Location: 8475 Melrose Pl, West Hollywood, CA 90069   323.651.5950

Date: April 14, 2011

Cuisine: Cal French

Rating: Good, but a little uneven.

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For the April Foodie Club meeting, following hot on the heels of the March one, we decided to tackle Bastide. This has always been a curious restaurant. It’s about half outside in a courtyard with a lovely olive tree(s). But this place has gone through more chefs in a few short years, and more good ones, than pretty much any I can think of. I’ve eaten here perhaps seven times, and certainly under at least four, maybe all, of the previous chefs.

I had a spot on ethereal Alain Giraud meal here in 2003, a whacky but great one with Lefebvre (I will never forget “chocolate spaghetti al carbonara,” a dessert with parmesan ice cream and pancetta chunks!), a phenomenal chef table tasting with Manzke, and another great meal with Shoemaker. I wasn’t so impressed with Mahon’s “simpler” (I don’t like simple when it comes to food) menu.

So back I came to try out number six: Sydney Hunter, who has worked at many a LA restaurant, including at least two stints at Bastide under other chefs.

The signature entrance and the courtyard beyond.

The current savory menu. We asked for the “nine course tasting menu.” The dishes were more or less on the menu.

Bastide is one of those rare restaurants that doesn’t allow corkage. Normally I hate this, but they had this gem on the menu at a stunningly low $159. The rest of the list was good and pretty reasonable too.

The 1985 Domaine Leroy Beaune les Pertuisots. I’d gladly paid this at retail. I’d buy two cases. Parker gives it an 88, but he’s so wrong. This wine was drinking at a 96 point level, and in impecable shape — impressive for a 26 year-old burgundy.

“Much has been written about the dynamic Madame Lalou Bize-Leroy. Some of it has been malicious and motivated strictly by insidious jealousy. From time to time I have complained of her pricing structure. Yet there should never be any criticism of her philosophy of what burgundy should be. Her wines are among the noblest and purest expressions of Pinot Noir in Burgundy. They are treated with the care of a pampered child, never filtered, and bottled barrel by barrel. Given the size of her wines and their power and structure, in a cool damp cellar they will last 20 to 25 years. Bize-Leroy thinks 1985 is one of the two best burgundy vintages in the last twenty years, the other being 1978. Given the range of wines I tasted, 44 in all, 16 were exceptional, 21 very good to excellent. Thirty-seven very good to exceptional wines out of 44 is an amazingly high percentage, and I would be proud to own any of them.”

A page on the list, includes our wine.

They have good bread.  I think it used to be more interesting, but the onion focaccia-style bread was very good.

“Asparagus, spring truffles, peas, parmesan, lemon jus, olive oil.”  And over on the side a single seared scallop, and two types of citrus. This was a delicious salad. The citrus and scallop were delightful together, and the main salad itself complex and wonderful. Plus, yummy white truffles.

“Albacore, white turnip soup, fried shallots, ponzu cubes, daikon sprouts.” This was wonderful also, with a very interesting and complex flavor and texture profile. The soup was really good too and the tuna itself sushi grade.

“Hamachi, pickled carrot, orange, sherry vinegar, watercress, cocoa nibs.” This was also amazing. The interplay of citrus, fish, dusted flavors etc was fantastic. The blob in the front was some kind of savory ice cream — also spectacular. The pickled carrots had a nice crunch.

“Spicy octopus salad, cherry tomatoes, chickpea panisse, sardinian pasta, cucumbers, chorizo oil, pineapple.” Another top top dish, arguably the best. The octopus was really tender, and the mix of vegetables really tasty with a very nice textural component.

“Seabream, romesco, baby zucchini, artichokes, tomato confit, lemon sauce.” The fish itself was just fish — good fish, but still fish. The Romesco had a very fine texture, much finer than my own homemade version (SEE HERE), but didn’t have as much of a punch. The artichokes were wonderful and the lemon sauce pretty intense.

EP joked: “The only way to make seabream exciting is to drown it in a strong curry.”

“Steelhead salmon trout, manila clams, parisian potatoes, haricot vert, fennel pollon.” The fish was medium rare, and very soft and flavorful. But the buttery sauce with the little potatoes the real winner.

“Jidori Chicken, potato & celery root gratin, pickled peppers, pea tendrils, Baby corn, pimenton hollandaise sauce.” The chicken was good, but it was after all, chicken. The star of this dish was the potato gratin, which had a bit of a curry flavor (they must have heard EP’s seabream comment). Like potatoes Lyonnaise gone south-east-asian. The little corns made me think of the Tom Hanks movie Big.

“Beef tenderloin, pont neuf potatoes, baby spinach, mushrooms, and beef marrow.” The tenderloin was very good. I didn’t care so much for the potatoes, I like my french fries thinner 🙂 The marrow was tasty, but too gooey fatty for me (not that it wasn’t good marrow, but I was starting to get full and a whole segment of fat…).

“Blood orange sorbet.” Very nice refresher.

After killing 3 bottles of the Burgundy (with 4 people) we ordered this fantastic Sauternes. Parker gave it 95 points, and this time I agree. “The 1990 continues to develop exceptionally well (better than I thought), and now looks to be a worthy rival of the dazzling 1988. The superb aromatics (pineapple, acacia, vanilla, and honey) are followed by a rich, full-bodied, atypically powerful Climens that possesses adequate acidity, high alcohol, and even higher levels of extract and fruit. Anticipated maturity: 2000-2030.”

Just a wonderful wine.

The desdert menu.

“Ricotta fritters, hot chocolate milk, cinnamon ice cream.” The fritter itself was very nicely chewy, and the fruit sauce made it like a little jelly donut. The tiny blog of cinnamon ice cream was tasty too, but tiny. The little milk thing reminded me of the chilled rather than frozen milk shakes I used to get as a kid in the Pennsylvania mountains.

The four of us got this very dinky selection of petit fours to split. They were quite miniature, and we each only got to taste one. I had the macaroon, which was good (for more about macaroons, see here). While tasty, we were disappointed in the number and variety of the desserts. They could have brought more and mixed it up more.

Overall Bastide “take six” got off to a strong start. The wine was fantastic, and the first four courses equally so. But by the time we reached the entrees things slipped from amazing to merely very good. I wanted to be more blown away by the mains — but where was the cheese? — plus while the dessert was yummy they could have done more (at least giving one petit four of each type per person).

Service, by the way, was excellent, no problems there.

Perhaps it’s also that we felt the the tasting menu was just an serial assembly of dishes from the menu. There was something a bit missing from the overall progression. And the cheese. Never forget the cheese.

For other Foodie Club meals, click here.

Sushi Zo

Restaurant: Sushi Zo

Location: 9824 National BlvdLos Angeles, CA 90034. (310) 842-3977

Date: April 8, 2011

Cuisine: Japanese / Sushi

Rating: Top warm rice style sushi.

LA is a sushi town. I eat a lot of sushi (just take a look at my LA Sushi review page!). People say Zo is the best in town. I finally went.

Unfortuantly, this outside shot is all you get, because they don’t allow photography. Bummer, because the sushi was good.

Zo is omakase only. You sit down. They bring you stuff. They charge you by the piece but don’t really tell you how much. They keep bringing you sushi. Eventually you get full and they hand you a (stiff) bill. It’s closest in style and format to Sasabune (my detailed reviews of that, with photos, HERE and HERE).

This is Osaka-style “warm rice” sushi, like Sasabune, and presumably descended from the same Chef Nozawa source. The individual pieces are made one at a time, no precutting, and given to you in a hurry. The fish is superlative, although each piece seems to have been placed in a miniaturization machine set to 70%. I’ve never seen sushi this small. This was particularly humorous when it came to the “battleship” style ones like Uni (sea urchin). They just looked so cute and diminutive (maybe 50-60% size for these). But I’m not sure this size issue resulted directly in less value. At the end I was still just as full as at Sasabune, although it cost perhaps 10-20% more. I perhaps had more pieces numerically. But each was certainly smaller.

The fish was a bit better than Sasabune, and certainly better than Echigo. The preps are very similar, with 90% being “no soy sauce” — a fact of which we were emphatically reminded each and every time. There was a lot of use of vinegar, yuzu and other brightening flavors. I do like these, but I think it did tend to distract slightly from the fish — which was stellar.

The chef had a bit of an attitude. Bordering on brusk. First the no camera bit. Then the sushi-nazi style directions on the table about proper sushi etiquette, the hurried pace, and the “no soy sauce” or “yes soy sauce” commands — barked.

But food wise, this is overall the best warm-rice style sushi I’ve had in recent years. I really should go back to Nozawa, but it’s been way too long for me to give him proper perspective.

But I’m thinking I prefer Sushi Sushi (reviews HERE, HERE, and HERE). The deal is a little better, it has more variety of style, the fish is just as good, and I prefer the more traditional Tokyo (cold rice) style, the friendly chefs, and the emphasis on the taste of the fish.

For more sushi reviews, check out my LA Sushi page.

Shameless

Title: Shameless

Genre: Comedy / Drama

Stars: William H. Macy (Actor), Emmy Rossum (Actor)

Watched: April 8-12, 2011

Status: First Season

Summary: A guilty pleasure

 

Shameless is Showtime’s latest entry in the “edgy comedy” category, a slot they’re fond of (Weeds, Dexter). In any case, Shameless is an American remake of a British show, and centers around a working class Chicago family with an extraordinarily bad and alcoholic father named Frank (William H. Macy) and a bevy of often delinquent children and associated hangers on.

While Macy is great, nicely straddling the line between likable and incorrigible, the show is anchored by oldest daughter and effective mom Fiona (Emmy Rossum). I never noticed her before (she had minor roles in a couple movies I’ve seen), but she’s fantastic in this role. She brings to the table a wining hand of tough, sexy, vulnerable, and sheer chutzpah.

Tone wise, this show is much like Weeds in that it mixes (attempted) social satire with the ridiculously scandalous and the sketchy. This blending of comedy with the truly unwholesome seems to be more and more popular, but it first knocked itself on my consciousness in the mid 90s with Reese Witherspoon‘s Freeway. I mean in Shameless we’re talking baby-napping, highly inappropriate sex, “borrowing” the elderly, all sorts of fraud, at least 4 or 5 different portrayals of male backdoor action, blow jobs under the kitchen table, some really really bad parenting, and I’m just getting started. But the show tries to wash down this heavy stuff with a big tongue in cheek and a medium dose of Guy Ritchie-style cinematography.

It’s a pretty titillating show too — like watching a sexy train-wreck with lots of nudity.

And overall I think it succeeds, and succeeds well, not so much because it’s funny — it is — but because it manages to make us care about the characters. This is a complex tonal balance, and the season finale isn’t perfect, but despite all the unrealism, and the unbelievable (and unacceptable) stuff spun with a comic touch, there remains a realistic feel to the people. I found myself glued, pounding through the season in 3-4 episode-at-a-time video-on-demand bindges. While the players’ actions may at times be comic, their emotional response is not.

Pecorino – No Sheep is Safe

Restaurant: Pecorino

Location: 11604 San Vicente Blvd., Brentwood, CA 90049. 310.571.3800

Date: April 9, 2011

Cuisine: Abruzzi Italian

Rating: Unusual, tasty, very slightly over priced.

 

Pecorino is one of the twelve or so Italians on San Vicente in Brentwood. It’s relatively new, and replaced a good new American called Zax at the end of the street. One might ask why the street needed another Italian. Well it didn’t but Pecorino does offer a different (and good) take on the boot. The place specializes in the rustic cooking of Abruzzo, which is not only interesting and good, but certainly underrepresented.

The facade. Inside is cozy and stylish.

The menu.

Pecorino has a number of premium wines by the glass, which is nice. They are a little pricey, but I still like the option. I got a glass of Brunello followed by one of Amarone.

The bread.

And they serve it with this chickpea paste, which is tasty.

Caprino. Warm goat cheese “Crouton” served on a bed seasonal greens with hazelnuts.

Spaghetti with lobster. Chopped Maine lobster in a light garlic sauce with lobster juices and parsley. This is a really nice pasta. There’s a lot of lobster meat in here too.

Penne. In a tomato and basil sauce with green onions, cherry tomatoes and shaved pecorino cheese.

Lamb “Casserole”. De-boned Rack of lamb with pecorino cheese and artichokes “Chef’s Hometown recipe. This is an unusual, rustic, and delicious dish. It’s mildly cheesy, with big chunks of lamb and lots of artichokes.

Pecorino is a very good place, and it’s nice when an Italian gets away from the same old litany of dishes. It is however, mysteriously a bit more expensive than some of the others of fairly equal quality (like say Palmeri down the street). There’s a good amount of price variation in the Italians, and I’m not sure I get it. Still, the food’s very good.

Back to the Future Part III

Title: Back to the Future Part III

Director/Stars: Michael J. Fox (Actor), Christopher Lloyd (Actor), Robert Zemeckis(Director)

Genre: Time Travel Comedy

Year: 1990

Watched: March 31, 2011

Summary: Ug. What happened?

 

The end of part II leaves us with this sweet little setup. And then Back to the Future Part III just craps all over it.

Really this is barely a time travel movie. Basically Marty just pops back to 1885 to save Doc from being shot by Biff’s great-grandfather (again played by the same actor). The DeLorean has run out of gas… in 1885, so they have to figure out how to get it up to 88 miles an hour. Answer locomotive. This is a reverse of, but nearly the same, as the gimmick from the first movie with having to generate the 1.21 gigawatts of power via lightning bolt. Oh, and Doc falls in love.

What follows is a pretty silly, downright camp, little western pastiche. And that’s about it.

As I said, there isn’t much of the time travel and paradox fun we had in the first two films. But there is more rehash of the same jokes. Michael J Fox plays another McFly family member. Although one has to wonder why his great-grandmother still looks like Lea Thompson when she married into the family in the 50s! And the Fox genes must be dominant over the Glover ones. Oh we also get the “Biff eats manure” joke again. There’s also Doc’s little romance. I know it’s supposed to be sweet, but it really wasn’t doing it for me. Nothing really did, sorry.

This is only the second time I’ve seen the film (compared to like 15 times for part I and 5+ for part II). I remember being massively disappointed in the theater in 1990 (maybe even on opening night). I don’t feel any differently 21 years later.

I hope they don’t do some awful part IV that’s on par with Indiana Jones and the Kingdom of the Crystal Skull.

Check out the Back to the Future review Part I here.

Or my review of part II here.

JiRaffe is no Joke

Restaurant: JiRaffe

Location: 502 Santa Monica Blvd. Santa Monica, CA 90401. 310.917.6671

Date: April 1, 2011

Cuisine: French American

Rating: Santa Monica Classic

 

To me, it seems JiRaffe has been here forever. It opened in 1996, and to have made it 15 years in Santa Monica is no small feat. The space next door (which is a really nice two floor space) has had 7 restaurants in the same period! JiRaffe remains not only in business, but busy — and good. It is headed by Chef/Owner Raphael Lunetta and serves creative California adapted French influenced flair with a concentration on farmer’s market ingredients. Lunetta was ahead of the recent trend exemplified by places like Gjelina, Rustic Canyon, and Fig. His style is more classic, but not in the least outdated.

The nice two floor space. There is a loft (not visible) with a number of tables too.

The cocktail menu.

“Blood Orange Cosmopolitan, Grey Goose Vodka, Key Lime and Fresh Blood Orange.” This is the kind of real cocktail I like to see, not the saccharine kind of concoction I got the other week at Gladstones (see here), but a drink made from fresh ingredients and no flavored alcohols. It was tart, but really flavorful.

The appetizers.

A variety of breads.

The amuse, a mushroom cream cappuccino. Very tasty, almost truffle flavored and very rich. They actually goofed slightly and brought this after our appetizers, making it more of an intermezzo, but it didn’t matter.

“Roasted Organic Beet Salad, organic beets, carmelized walnuts, dried cherries, goat cheese cream, banyuls-ginger vinaigrette.” This dish has become ubiquitous, but I suspect JiRaffe was one of the earliest to offer it on their menu (it might have been an 80s Wolfgang Puck invention, but I’m not sure). This particularly implementation has always been one of the best I’ve ever had. The sweet of the beets pairing beautifully with the sharpness of the goat cheese, and the chewy crunch of the walnut/cherry combo adding to the effect.

“Purple Peruvian Gnocchi, rock shrimp, pearl onions, mandarin tomato concassé, herb infused tomato nage.” Although these gnocchi look like the grubs I encountered in china (as a breakfast condiment for congi), they tasted delicious. The sauce was extremely buttery, and paired perfectly with the soft little pillows and the tender shrimp.

Les entrees.

“Crispy Scottish Salmon with parsnip puree, white wine braised fennel, and an aged balsamic nage.” Note that the fennel was substituted out here for spinach.

“New Zealand Lamb Rack, yellowfin potato samosas, vegetable moussaka, thyme-scented lamb jus.” The lamb itself was delicious, exactly what you’d want. The jus perfect as well. My only complaint was the samosas which were very bland, tasting only of potato. I’m not such a plain starch fan. They were okay soaked in the jus, but I would have preferred a strong curry flavor or something.

JiRaffe also has a VERY yummy looking dessert menu, but we were too full to partake. The full menu can be found HERE.

Overall JiRaffe is a Santa Monica classic, and for good reason. This is a solid kitchen and everything is very tasty. The menu remains consistant. It does change, but in a slow evolutionary way, mostly swapping out seasonal ingredients and preserving what is essentially the same dish. They could experiment a little more, but they do have a good thing going.

Back to the Future Part II

Title: Back to the Future Part 2

Director/Stars: Michael J. Fox (Actor), Christopher Lloyd (Actor), Robert Zemeckis (Director)

Genre: Time Travel Comedy

Year: 1989

Watched: March 30, 2011

Summary: Lots of time travel, and fun!

 

Following up on such a gem of a movie as 1985’s Back to the Future (my review here) must have been a daunting task. And it occasioned part II and part III being filmed together, and released only 6 months apart. As far as I know this was the first time this kind of joint production was ever done.

In any case, I always liked part II, particularly since it has the most time travel of the three, and certainly the most complex examination of the basic principle of time manipulation. It starts with a literal repeat of the last 3 minutes of BTTF (although they must have reshot some of it because they inexplicably replace Claudia Wells with Elisabeth Shue as the girlfriend — not that this lame duck role matters. They then pop into 2015, where Hilldale Ca is both the same and very different. The technological inovations proposed are pretty amusing, and most of them still haven’t happened in 2011. Again, where’s my hoverboard? But they missed a few things — like the cel phone, or the death of the fax machine.

Anyway, while avoiding paradox, and just having run with the same cast of actors playing different ages, characters, (and genders), Biff manages to steal the time machine, bring it back to 1955, and give himself a sports almanac. Then he inexplicably brings the DeLorean back to the good guys. Go figure! When they travel back to 1985 they find Biff’s nefarious influence has trashed the entire town and made a blade runner-esque hell of the place. There are some good moments here again paralleling the now standard running jokes with each character. Marty waking up to versions of his mother. The principal as bad ass with an axe to grind, etc.

Once they figure out how all this mess got rolling, back to 1955 they go to sort it out. This involves a parallel track recreation of the first movie’s main events without disturbing these. This is great fun, revisiting the “Enchantment Under the Sea” dance from a different perspective. As far as I know, this is the benchmark scene for a two-pass time travel-type scenario. The car chase at the end however, is a bit tedious. And why, may we ask, is it possible for Marty to call doc on a walkie-talkie from the back of Biff’s convertible, while Biff is about 2 feet away in the front seat? I don’t know about you, but when I’m alone in a car and someone has a conversation in the back seat, I generally notice.

The film ends with an awesome setup for the third part. I love the Western Union bit. But watching all three back to back as I did, I could have lived without ALL THREE movies replaying the footage of the Doc at the clock-tower.

These problems aside the movie is great fun. Other reviewers seem to find the time travel antics byzantine in this outing, but this is exactly what I loved about this film. At least it dares to create an alternate present, and then undo it. True there are a few moments where the cast has to answer audience questions in near straight exposition. For example, when Marty and Doc head from messed-up 1985 to 1955, but leave Jennifer (the useless Elisabeth Shue) behind, Marty has to ask why, and Doc launches into a whole explanation about how the time continuum will fix itself around them.

Again the technical transfer on the new blu-ray versions is awesome. This was always a slick film, with the future scenes in particular filled with fun effects. It holds up perfectly well. There is the occasional shot where the rotoscoping is obvious (compositing has gotten a lot better in the 22 years, Cliffhanger being, I think, the first film to use the new digital compositing). But these minor issues don’t date the film at all. Now if only they wrote a better part III.

Check out the Back to the Future Part I review here.

Or, coming soon, a review of part III.

For more 80s films, About Last Night, Better Off Dead, or The Sure Thing.